Search This Blog

Showing posts with label Berlin. Show all posts
Showing posts with label Berlin. Show all posts

Thursday, March 15, 2012

A Single Man



I saw the film by Tom Ford when it came out in 2010, and was impressed by Colin Firth preparing a role that was, in essence, a one-man-show with props of other actors (he was nominated for the Academy Award for Best Actor but did not win). Mr. Firth, unfortunately, was all that could be recommended for this film. I thought it was a little too something - ostentatiously gay? Visual? Superficial? Self-promotional? I'm not sure.

So, I liked the movie, but not as much as I thought I would. I saw a spot for it on Sunday Morning With Charles Osgood and various commercial spots...it seemed a lot deeper and artier than it actually was. In fact, I thought it was actually complete crap, and Colin Firth's character was a sleazy and maladjusted type for attempting an affair with a student.

Nonetheless, I have been looking for some Christopher Isherwood stuff, specifically the Berlin Stories or Mr. Norris Changes Trains and Goodbye to Berlin, as they were published in Europe. I'm planning to write my own "Vienna Stories" and would like some inspiration as to how to format my collection. Since these stories are more famously known (and set to music) as Cabaret, and in that form likely Isherwood's most famous works, I figure they're a good place to start.

However, when I went to the library, I didn't find what I wanted. They did have A Single Man on the shelf, however, and I decided, well, any Isherwood is better than no Isherwood.

What I love about A Single Man is that George is overtly and unapologetically gay in 1960's California (before the hippies, mind you - circa 1961). Isherwood's writing style, choice of scene and structure, never let the reader forget George's sexuality. In fact, Isherwood's style is pretty sparse, borrowing a page from Hemmingway's book in that it has very little physical description of characters or place; though it is better (i.e. not as bare bones) as The Sun Also Rises, for example. In concentrating on  the sensual aspects of live, the novella is charmingly and grippingly sensory - not erotic, not bogged down in details or description, just sensual. The ocean scene, where George goes for a dip (naked midnight romp?) with Kenny in the Pacific is one of the few exceptions to this, but in its description, continues to center on emotions George feels, rather than the temperature of the water, as an example. And it is critically important to George's psyche - the ocean, the young man, symbolize George's rebirth after Jim's death.


I was pleasantly surprised that the novella far exceeds the film. Isherwood's character George, far from being the superficial, self-conscious and self-promoting type of gay man Tom Ford made him out to be, is down-to-earth, sarcastic and outrageous as only a gay man can be, and though wounded by the loss of the love of his life (Jim, who passed away in a car crash visiting his folks in Ohio), George perseveres, does not assault himself by minimizing his love, like society is wont to do, or falling into an almost-affair with a student - he more or less fantasizes about sex, but does not delude himself into grander emotions, or actually committing any acts. Besides, Kenny (the student) doesn't have much to offer George beyond a nice body. Aside from scratching an itch, Kenny's not much of a catch. He's pretty dopey.


The one thing I hate about A Single Man (which was ambiguous in the book, but more ambiguous in the film) is that George dies at the end. Why does he die, when the book is about persevering despite obstacles?! It was so annoying, because it implied that a person cannot be total, complete, without another person to live with, love, and more importantly, have sex with. Most of the time protagonists in such situations are women falling all over themselves for a man, but obviously anyone can fall victim to the mentality - the sex part almost always shrouded in innuendo in anything pre-Woolfe (or pre-Anais Nin) for the woman. Gotta keep those Victorian double standards in working order...

Anyway, I think it's ridiculous that anyone should ever want to be defined by another, in any way. Yes, love is powerful, and I think true love does exist, but it is not the be-all and end-all of an existence to get married (or move in together) and "become" that other person, or have that other person become you. Sure, people need relationships, another to guide them, help them and give them the chance to become the best they can be through love and support and faith in their love. And it is painful to lose someone so dear and necessary to you. But that does not mean when you lose someone, you should not go on living! You are still you, not the other person and you deserve to continue your life, perhaps diminished, but hopefully not for long!

Losing love and losing faith are not one in the same, and though losing both can be devastating, no one says you have to.

Wednesday, June 15, 2011

Wild Poppies, or: Recollection


poppies in a field in Amstetten

I know that I will have many memories of my time in Austria. One of the fondest, and yet more mundane, will be of my daily walk/run along the Ybbs. I have finally brought a camera along and will share with you some of what I see every day:







Doubtless, these photos (and, by extension, this blog) will help me remember much of what has happened this year. It's a curious thing, memory. There have been countless studies done on how people retain memories, a very recent one picked up as a topic on NPR's Talk of the Nation about our earliest memories: why do young children remember things from very early in life, yet as we age, we forget most of what happened to us before the age of four? Here is the article that accompanied the program on NPR's website.

Since I can get streaming radio on my computer, some of the copious free time I've recently been blessed to have (seeing as it is now summer vacation for me) has been eaten up by my "catching up" on certain things I miss from America. Including, yes, NPR programming. 

The show (as well as the transcript) was quite interesting. The expert brought in said that several memories of early life are attached to emotions. If a person experiences a strong emotion during an event, he or she is more likely to remember not only the event, but more details of the event as well. The most powerful emotions are often fear or anger (dangerous situations and arguments are easier to remember than calm or happy situations) as are shocking or new situations. This made me think about my own earliest memories, one that involves the German language, actually. 

I remember as a very young child watching news footage of the Berlin Wall being torn down. I was two, almost three, most likely watching the evening news with my parents. I remember the television we had at the time, an old analog dial set that fit snugly within the shelves of our entertainment system, next to my dad's record player and enormous white speakers. It's been a tradition in my family ever since I can remember to watch the news together at 6pm, huddled around the TV in the living room. And before the advent of cable, this was even easier - fewer channels, and less crap to watch. We did eventually get cable, but that was long after I had started elementary school.  

calf put out to pasture
I remember images bursting onto the screen, the ones that have become stock footage now - people in the dark mounting the wall, taking sledge hammers to the side, East Germans walking triumphantly past guards, waving at the cameras. My parents sat in shock, probably in disbelief. Watching these images, they knew that the Cold War - and ideological terror of the "other" that had existed since before they we both born, mounted in bomb scares, fears of traveling abroad, the destruction of "the American way of life," that had urged hate and conspiracy and espionage - would soon be over. 

And it happened overnight, quickly and without warning. That is why my parents sat shocked. I'm sure they discussed it afterward. This would change the way they viewed the world. the way millions of people viewed the world. And this was the era before the 24-hour news network, before streaming video and internet and chat rooms and information all the time, anywhere and everywhere at the click of a mouse. They could read more in the papers the next morning, watch the news again the next evening, when the reporters had submitted new information. They had to wait - they may have waited on tenterhooks. 

cow (mommy)
Although I, a child, could not contribute meaningfully to a conversation about international affairs, the collective breath of the world expelling what it had been holding back for over 40 years, I understood that something important had happened. Berlin. I remembered the name. It held weight for me. When I was older, old enough to look up things in an encyclopedia (we had a set in the house, circa 1992) I discovered many things (now all outdated) about Berlin: it was a city, divided, the new capital of a reunited Germany.

I feel that this experience grounded my interest in the German language, in Germany, in Berlin.  I wanted to see for myself what sort of a city this was, what happened there, how people lived. It seemed like a city with a fantastic history, a place making history, alive, being shaped, becoming renewed. As a teenager, exposure to the stories of Christopher Isherwood and Cabaret and pop culture like Nena, propelled my interest in learning German. Of course, these were not my only reasons, but more to add to my list. I had already taken French, and wished to continue. To pick up a second foreign language, I had the choice between German or Spanish, and (as I've heard from many other students of German) the odds were against Spanish, mainly because it was seen as the lesser of all the offered foreign languages (all the dumb kids took it). This is, of course, unfair to the Spanish language, beautiful in its own way; I have grown fond of Spanish after having learned it - given it a chance.
preparations for Sonnenwende (Midsummer's Night)

German, anyway, and French, were my chosen university majors. These choices allowed me to study abroad. And where did I choose? Berlin, of course. I was not disappointed. I fell in love with the city a bit, I think. I still have fond memories of my time there. The city was alive, changing, making history. Vibrant. Charming. Magnificent. A big city, but not too big, like London, or too seedy, like L.A. Plenty of history, but still plenty of future, too. 

I point to this earliest of memories, watching the news with my parents as a toddler, to be part of the reason I am here now, in Austria, continuing to learn German. Continuing to be fascinated by the German language, by the history and culture of Central Europe. There are so many things that could be said about how destinies are shaped. Some say it is purely the past which determines the future. Others say the past is only and example to be learned from. I would argue that memories, being an exquisite form, a representation of the past controlled and controllable by the possessor of said memory, are the greatest tool in shaping one's destiny, if past and future being in equal parts relevant help us determine who we are. Or who we shall become.



train tracks