KUNSTHALLE: Parallelwelt Zirkus

One of the museums I went to see with my family was the KUNSTHALLE, a contemporary art museum in the Museumsquartier, very near to where I live.

Alexander Calder

The KUNSTHALLE (simply named: it translates literally as "art hall" or "art gallery") is a perennial favorite of mine, since it's so fresh and kooky - you never know what you'll get - from feminist pop art to Salvador Dali!

Not that I don't appreciate the pomp of the Kunsthistorisches Museum or the Belvedere or the Albertina; I do indeed. The Albertina is actually my favorite museum in Vienna, followed perhaps by the KUNSTHALLE. I consider myself an eclectic patron of the arts...well "patron" might be going too far...art enthusiast?

Anyway, the exhibit was about the circus, most specifically the circus as a parallel universe: the freaks and geeks and carnival sideshows, but also the animals, the acrobats and performers. The clowns, the artistry and magnificence that goes into creating "the Greatest Show on Earth."

One part of the exhibit particularly moved me: the video of an elderly gentleman exhibiting his "circus," i.e. mobiles presented as a three-ring-parade. Or, as my sister said, "Some creepy old guy playing with toys in his attic." I feel that misses the point, but she is a scientist, after all. Mom said, "Hey, I think that's Alexander Calder," and indeed it was the famous American mobile artist Alexander Calder performing his "Cirque Calder" in an attic in Paris. I found him charming. Here is a clip, courtesy of YouTube and the Whitney Museum.

A lot of people have weird obsessions with the circus. Not just Austrians. I think it has to do with the conglomeration of the fringe elements of society gathered under one big tent. Not just the exotic animals (banned, actually, in Austria) but the exotic people. Acrobats and jugglers who train their whole lives to excel at a sport most would not ever claim is really all that difficult or amazing. But, to those who make such a claim: have you ever tried it?

A former student of mine is incredibly fond of juggling. I think he might even want to do such a thing as a profession. I wonder what his parents would say? And that's just the point.

As a kid, I wanted to run away and join the circus. Maybe become a clown. It was probably at the impetus of a favorite children's book, Rotten Ralph. In it, a very mean red cat named Ralph runs away and joins the circus. He hates it there because he's made to perform as a clown and everyone is mean to him; in other words, he gets a taste of his own medicine.

Although I've since given up ambitions to be a circus performer, there is still a draw of the theatrics for me. To the circus? At the least, I can live vicariously through such things as art exhibitions.

KUNSTHALLE: Le Surréalisme, c'est moi!

An exhibit at the Kunsthalle, and one I was very excited about seeing, Le Surréalisme, c'est moi! was, I'll be honest, a bit disappointing.

I would consider myself a true Salvador Dali fan. I have seen lots of exhibitions. I even have a finger puppet Dali:

Dali in front of the Trevi Fountain

So I was disappointed to see only a handful of Dali originals, with the rest of the exhibit a painful "contemporary artist do Dali." Yuck. This is a) false advertizing. I expected DALI! and b) not real art if you are just copy catting a great artist.

I did however receive a dual entrance ticket for my €10.50 to see "Das Kabinett des Jan Svankmajer" exhibit on the floor above. I was highly impressed. Svankmajer is a relatively well-known Czech animator and film director. He dabbles in other art forms, but his most famous pieces are short films. I remember seeing Dimensions of Dialogue at some point on TV - maybe the arts channel...here is a link to the first part on YouTube. I remember distinctly the different heads devouring each other, and thought it was weird when I was about 15. But now I find it strangely beautiful. I found the entire exhibit beautiful, in fact. Sometime a bit creepy, but always a true artistic vision.

Svankmajer's Encyclopedia sketches

Svankmajer has been touted as the Czech Tim Burton (though his work predates Burton's, so I would say he inspired Burton). As more or less a contemporary of Ingmar Bergman, I would also compare him to Bergman, in the sense that his films deal with social issues in a surreal or unexpected context. Although Bergman's work is more or less "normal" (set in a contemporary, real-life world) and live-action (no animation), I think they share a conceptual vision, in a way.

Svankmajer's work is dark - no doubt about that - imaginative, and very much influenced by the culture of central Europe. I've noticed in my time here (and in reading plenty of German texts in college) that there is a bit of an obsession with the Devil in German, Bohemian, and Alpine cultures - just look at the Brothers Grimm! Or Kafka, or E.T.A Hoffmann, or Heine. Or basically any German-language author for that matter. His Kafka-esque "The Flat," revamping of Edgar Allan Poe's "The Fall of the House of Usher," and his haunting critique of Communism, "The Garden."

So, although the Dali part was a bust, I think I've found a new favorite cineaste in Svankmajer.